Friday, December 14, 2007

back that shit up.

Here's another story of B.A at 27.

The year was 2003 and I was in the middle of working on a DVD for 2 Skinnee J's. Although they rehearsed in the studio next to The Vic Thrill Salon, I never really saw much of them because they were on tour all the time. But when they were around, they swung by, said hi, hung out.

One day I was working on a video backdrop for Vic in iMovie when Eddie Eyeball came up behind me.

"Thats cool. You want to direct three videos for us? We'll pay you"

I would have been happy with any of those 3 sentences, but the conglomeration of all three just about made me spaz out all over them place. Never before had I been paid to direct. Never before had I been ASKED to direct, (well, not for a real, touring band with a following). Anyway it was on. Only I didn't know Final Cut Pro.

I convinced myself that I can't possibly hand them something I did in iMovie. So after our first shoot, I instantly began teaching myself FCP through working on their video. I worked my ass off. Like 20 hours a day. I'd eat a brownie around noon (My best friend had the business back then), then sporatically chug red bulls because the J's had a sponsorship. (I was super broke back then. But super happy.)

After about a week, I put in over 100 hours on this video. Then I decide to yank out my external hard drive without trashing it. For those not external drive savvy this means EVERYTHING IS GONE. Poof. 100 hours of work down the drain.

Only it never really hit me because the same weekend, three friends were dead. Two to a murder-suicide. One to cancer.

Talk about perspective kicking you in the face. Who cares about the stupid video? I can do it over, make it exist again. I can't say the same for my three friends. (Or actually two friends and one psychopath aquaintance).

And wouldn't you know, the stupid video that took me 100 hours to do the first time, took me 6 hours the second time.

Today I was at the Tekserve ER. Although my situation was dire, I was almost laughing to myself how it was like we were in a hospital. Sure enough, my name was called and the teknurse started "We did everything we could..."

Yeah it's a bummer. I lost a lot. My whole Vic Thrill VJ set, and about 1/2 of what I had done for the Knockout DRops/Wormburner show at the Bowery this Thursday. Well, I always work better with a fire under my ass.

And as I was receiving the bad news, I look to my left and notice there's a friend in the same TekServe ER downtrodden stance. Turns out he lost his band's entire new album, (an international act, mind you) and his monetary damages pretty much quadruple mine. He asked about my misfortune, then was like, "That's it? Consider yourself lucky."

I do.

Wednesday, December 12, 2007

From the archives

"Juno" has really inspired me to get my shit together and MAYBE turn past blogs and other pieces into a screenplay. You know, so I can become one of those annoying "working on my screenplay" folk.

In perusing my files I came across this story I wrote 5 1/2 years ago for P5!'s Pussy Magazine. The theme of the issue was video games. I got a kick out of revisiting B.A at age 26. Both everything and nothing have changed. (has changed? JC?)

I love music videos.

Obviously. Its such a wonderful medium to work in. I love collaborating and adding additional dimensions to artists and songs. And you can go as far out as you want. Sky's the limit. I genuinely feel I was meant to spend my life doing this.

However, it pisses me off that most artists/labels are paying people for boring, BORING videos.

These are my biggest pet peeves:

1. Doing a "Home Sweet Home" Video when you're not Motley Crue.
You know what I mean. Indie bands, some only being together a few months and releasing a "music video" of tour footage, backstage antics, live clips, etc. NOBODY CARES!

2. Performance videos with no bigger picture.
Yawn. You might as well have a still of the band with the song playing.

3. Over-animation--All style, no substance, no SOUL.

It seems ever since Franz Ferdinand's "Take Me Out", everybody's jumping on the fancy animation tip. Not that there's anything wrong with that, but I can't stand it when they get so wrapped up in the animation, its void of any concept or story. The term "well-polished turd" comes to mind.

4. Performance/story/performance/story/performance/story.... (especially when they don't even connect)
This formula has been used in music videos since day one. Its OVER. Maybe in 20 years it'll be retro and you can go back to it.


Anyway, lets end on a high note. This is what's inspiring me right now...

and of course, this

Monday, December 10, 2007

Shiny Happy Fits Of Rage

Last night, me and Lola went to see "Juno". I had never even heard of the flic till her IM window popped up on my laptop earlier in the evening, but once I saw the trailer I was game.



It was hilarious. Brilliant at points.

Plus, me and the movie had the same taste in tunage. From Sonic Youth's cover of Superstar, to Mott The Hoople - and not just appearing in the score, but name-checked. It also reminded me how much I love LOVE love this Moldy Peaches tune. It's beautiful and absurd and makes me laugh as much as it makes me tingle.

Good one, Lola.

Sunday, December 9, 2007

Further V.J confusion.

I ask for it. I was a DJ before I was a VJ So thats what many folks know me as.

It doesn't help that my DJ name was "Vag on the Turntables" so some folks assume the term "VJ" is a play on Vag or something. It also doesn't help that I trigger my video art from a keytar whilst being on stage. Even folks who have seen me numerous times still think I'm playing music.

Here's a typical conversation:

THEM: You're DJing tonight?
ME: VEEE-Jing.
THEM: like Martha Quinn?
ME: No, it's live video mixing.
THEM: So your playing music
ME: I'm playing video
THEM: But you have a keytar
ME: It triggers the video
THEM:So you play the video on the computer and music on the keytar.
ME: no, just video
THEM: Oh. Can you play "Love Will Tear Us Apart"?
ME: I'm not DJing, I'm VJing
THEM: Like Martha Quinn?

FINE. LIKE MARTHA QUINN.

STARTING NEXT TUESDAY, DECEMBER 18th...




We came up with this concept at the Hopewell premiere party. We played the video a few times, then as the night went on I just began VJing off youtube.

It turned into a beautiful, beautiful thing.

Folks just starting yelling out requests. We laughed our collective asses off at the new RAMBO trailer. And James Brown & Little Richard on Wheel Of Fortune. Then it turned into old school music video after video. Bowie. TREX. The Stones. People started getting up and dancing. Some folks had their own videos to show. Then we'd go back to stuff like BoHE-MAN Rhapsody and Gino The Guinea.

These videos are so much more entertaining when viewed in good company.

Come see for yourself!